January 2010 Archives

The Digitized Citizen

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For the past year, Aleks Krotoski has worked on a four-part documentary for BBC2 on the Virtual Revolution, aiming to identify the political, social, economic, and psychological implications of the Internet. In doing so he came across, and interviewed a host of characters, from the web pioneers like Sir Tim Berners-Lee (credited with in essence inventing the World Wide Web), to the e-upstarts like Jack Dorsey who revolutionized online socializing when he co-founded Twitter in 2006.

 

His Guardian article is well worth reading, and I wish I lived in the UK so I could view his documentary.

 

From the outset of the Internet, my enthusiasm for the wonder of it has always shared the stage with this louder-at-times-than-others voice of dissention, warning about the dehumanizing and dare I say robotizing effects of the Internet. When words like "real world" started cropping up as the exception to on-line life, well, then I got a little nervous, and I believe I had a right to.

 

For one thing, we believe, as Krotoski points out, that when we interact with the Internet it's just us and It, but really, few things could be farther from the truth. When we ask Google to show us this or that which we are truly interested in, a whole network of note-taking software make entries against our name (or IP address more likely) about our preferences in every field conceivable, entries which are then shared with commercial companies who use it to customize offers specifically for us. Helping advertisers, and others who want to tell us something that might benefit them, adjust the cross hairs comes to mind.

 

Krotoski also points out that depending where we stand in the political, or even religious, spectrum, wonders like Twitter are either a blessing or a curse. Keeping us abreast of all our heroes' doings, or informed about the time and place of a protest rally, Twitter can do no wrong. Helping coordinate a fundamentalist bomb attack, it becomes evil incarnate.

 

Children and teenagers who grew up with the Internet, according to Krotoski, no longer search for answers at the depth their Internet-free parents might have done. One Google search term, and the top two or three replies might just do it: just like in our old days, if it was printed in the paper, then it must be true--now it's: if Google returns it, well then it must be true.

 

Now, of course the Internet is the most amazing communication medium conceivable, don't take me wrong, I do love it; but that voice of dissention will not shut up and it keeps invoking the Sorcerer's Apprentice of Disney's Fantasia trying to master the ever multiplying brooms running amok. Along the lines of getting the Genie back into the bottle.

 

And the Genie is out, irretrievably out. The thing to never lose sight of, however, is the humanity of who should be the master of it, not mastered by it.

 


Digital Rights and Micropayments

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A very interesting article in the NY Times brought to light an amazing change of heart by Jaron Lanier, who in the 1990s was one of the main proponents, and enthusiastic visionary, of the "everything-is-free" Internet.

 

His recently published book "You Are Not a Gadget" evidences serious second thoughts, and raises the flags against "hive thinking" and a "digital Maoism" which demands from each according to his ability, and to each according to their needs.

 

Being himself an artist who is apparently having trouble generating online revenue from his creative efforts--due to the current "open culture" were "information wants to be free"--he laments the fact that getting your due as a creative artist is almost frowned upon today. "Reciprocity takes the form of self-promotion," he writes.

 

As a writer myself, I not only sympathize, but agree. I have posted nearly a hundred works on Scribdincluding poems, stories, novels, and songs. Most of these are free, but ask for a voluntary contribution if the reader/listener feels like it (I list my PayPal account).

 

In the last nine or so months these works have been viewed by nearly 30,000 people. Guess how many have offered an exchange? Yes, you guess it: Zero.

 

I strongly believe that the Internet can (and should) allow creative writers and musicians to live on their efforts, but it seems nearly impossible in today's climate.

 

However, Mr. Lanier (who you can see interviewed in this short YouTube segment brings up the great (and not in the least new) concept of MicroPayments as a solution to this.

 

The problem with current payment systems is, of course, that a credit card company, or PayPal, does not want to see $0.05 payments--they'll lose money processing it. Yet, if each reader of my works on Scribed had paid me $0.05 (which possibly they would have), I would have seen a $1,500 exchange today. Not that I could live on this, but it's certainly a step in the right direction.

 

Microsoft was reputed to have worked on a MicroPayments System in 2007, but not much has been heard since.

 

If implemented correctly, viewing an artist's work would incur very small fees, in the cents region, and would not set the viewer back by much. It would be quite affordable, while at the same time remunerate the artist.

 

I will do some more research in this area and report back. I think it is an idea that has great merit.

 


The Google Tax

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French President Nicolas Sarkozy and former French Minister of Culture, Jacques Toubon (both defenders of France's cultural heritage in the digital age) seem to have hit upon the solution to protecting home-grown literary and musical initiative by developing a new revenue stream to support this artistic output.

 

Two very interesting Wired articles: "France Considers 'Google Tax' to Pay Creative Work" and "France's Sarkozy Uses Tired Media Playbook to Push 'Google Tax'" take a dim view of this, and are well worth reading.

 

According to a proposal made by a government-commissioned survey, and leaked to the Liberation newspaper, the French President is considering taxing foreign Internet companies who do business in his country, an initiative already colloquially referred to as "the Google Tax."

 

This, France's latest effort to resist the freewheeling free-for-all culture so prevalent on the Internet, comes on the heels of its recently enacted New Internet piracy law--one of the strictest in the world--under which repeat illegal downloaders will be fined as well as disconnected from the Internet.

 

I am not passing judgment on their intentions, and I firmly believe that creator of works of art should see the direct benefit from such efforts, but I'm not sure those benefits should be funded by tax on successful Internet businesses; that appears to me the lazy way, and very much along the lines of "From each according to his ability, to each according to his need (or needs)" or should we say "greed?" Sounds familiar?

 

For all the flack Rupert Murdock is taking for wanting to charge for the Internet content he funds, I believe his approach is the fairest. Internet content does not appear spontaneously and at no cost, someone has to fit that bill. The enjoyment of such fare should remunerate its creator.

 

According to the two "Wired" articles, the commission suggested, "Taxing Internet service providers to raise tens of millions of Euros that would be invested in developing the online music business and other creative sectors. For example, they propose offering government-subsidized online subscriptions and expanding online publishing platforms," presumably those in the French language.

 

The French President is up against two formidable obstacles. The first, and most important, is that, lamentably, fewer and fewer--in this age of digitally-grown illiteracy--actually gives a damn about the finer points of literature or about the French musical heritage; the online world is heading for English as its mother tongue, and if you actually have to read the stuff, what's it doing on the Internet?, the home of gaming, porn, and social networks.

 

The second obstacle is that the ethical standards of Planet Earth seem to sink by the minute, as the prevalent view gains momentum: why should I pay for something I can get for free? It is a Me, Me, Me world now, and that mentality is a formidable hill for any defender of Culture to climb.

 

 

 


The Ethical Citizen

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(Second in a series)

 

Last week's blog introduced the Swedish Pirate Party, which is acting as a model for a group of similar parties springing up in Europe (primarily), Australia, and South America. There is also a United States Pirate Party. All of these fall under the Pirate Party International umbrella.

 

Most of these parties are seeking the required membership to register as a bona fide political party in their respective homelands.

 

Their goals are similar: copyright reform, internet freedom, and end of all forms of censorship.

 

Let's take a look at copyright.

 

Copyright - The Perceived Problem

 

The Swedish (mother) Party claims that the current copyright system is "unbalanced" and therefore holds the view that file sharing (such as music, videos, etc.) should be decriminalized.

 

According to their Declaration of Principles:

 

"Copyright was created to benefit society in order to encourage acts of creation, development and spreading of cultural expressions. In order to achieve these goals, we need a balance between common demands of availability and distribution on the one hand, and the demands of the creator to be recognized and remunerated on the other.

 

"We claim that today's copyright system unbalanced.

 

"A society where cultural expressions and knowledge is free for all on equal terms benefits the whole of the society. We claim that widespread and systematic abuses of today's copyrights are actively counter-productive to these purposes by limiting both the creation of, and access to, cultural expressions.

 

"Privatized monopolies are one of society's worst enemies, as they lead to price-hikes and large hidden costs for citizens. Patents are officially sanctioned monopolies on ideas. Large corporations diligently race to hold patents they can use against smaller competitors to prevent them from competing on equal terms. A monopolistic goal is not to adjust prices and terms to what the market will bear, but rather use their ill-gotten rights as a lever to raise prices and set lopsided terms on usage and licensing.

 

"We want to limit the opportunities to create damaging and unnecessary monopoly situations."

 

Copyright -- The Proposed Solution

 

The Swedish Pirate Party Declaration of Principles goes on to say:

 

"When copyrights were originally created, they only regulated the right of a creator to be recognized as the creator. It has later been expanded to cover commercial copying of works as well as also limiting the natural rights of private citizens and non-profit organizations. We say that this shift of balance has prompted an unacceptable development for all of society.

 

"Economic and technological developments have pushed copyright laws way out of balance and instead it infers unjust advantages for a few large market players at the expense of consumers, creators and society at large.

 

"Millions of classical songs, movies and books are held hostages in the vaults of huge media corps, not wanted enough by their focus groups to re-publish but potentially too profitable to release. We want to free our cultural heritage and make them accessible to all, before time withers away the celluloid of the old movie reels.

 

"Immaterial laws are a way to legislate material properties for immaterial values.

 

"Ideas, knowledge and information are by nature non-exclusive and their common value lies in their inherent ability to be shared and spread.

 

"We say that copyrights need to be restored to their origins. Laws must be altered to regulate only commercial use and copying of protected works. To share copies, or otherwise spread or use works for non-profit uses, must never be illegal since such fair use benefits all of society.

 

"We want to reform commercial copyrights. The basic notion of copyrights was always to find a fair balance between conflicting commercial interests. Today this balance is lost and needs to be regained.

 

"We suggest a reduction of commercial copyright protection, i.e. the monopoly to create copies of a work for commercial purposes, to five years from the publication of the work. The rights to make derivative works shall be adjusted so that the basic rule will be freedom for all to make them immediately. Any and all exceptions from this rule, for example, translations of books, or the usage of protected musical scores in movies, shall be explicitly enumerated in the statutes.

 

"We want to create a fair and balanced copyright.

 

"All non-commercial gathering, use, processing and distribution of culture shall be explicitly encouraged. Technologies limiting the consumer's legal rights to copy and use information or culture, so-called DRM, should be banned. In cases where this leads to obvious disadvantages for the consumer, any product containing DRM shall display clear warnings to inform consumers of this fact.

 

"Contractual agreements implemented to prevent such legal distribution of information shall be declared null and void. Non-commercial distribution of published culture, information or knowledge - with the clear exception of personal data - must not be limited or punished. As a logical conclusion of this, we want to abolish the blank media tax.

 

"We want to create a cultural commons."

 

The Ethical Dilemma

 

The dilemma here is that the average Internet Citizen leaning in the Pirate Party's direction feels, or openly states that, and certainly acts as if, everything on the Internet is or should be free.

 

Free to read, play, download, share, or copy.

 

In an ideal universe, perhaps. One where no labor, no cost, no sweat, no talent, no work has to be invested in order to produce such download-able and share-able work.

 

The view of the Swedish society has long been that "the world owes me a living," and the political parties play along. Today, the Swedish worker who is ill, or too tired to report to work on any given day, is paid just as much as his colleague who does drag himself out of bed and reports for, and performs, his duty.

 

The Pirate Party makes a good point in the advantages of availability for all, but this cannot, and must not, be free. The creator, especially the Internet Creator, must be able to live on his labors, and if he were to post a work for purchase and this work was then bought once--and thereafter copied and shared with the rest of the world, he will soon starve to death. A fact that will stifle creativity more effectively than anything will.

 

A Balance

 

Any proposed laws or changes to copyright systems have to protect the Creator of the Work. Not necessarily any subsequent owners of such copyright (they are sometimes bought and sold as commodities, and treated as investment opportunities).

 

But, unless the Creator of the Work is paid for his labor, his talent, and his work, he will first cease to work, and then cease to live, and there is nothing balanced about that.